"Artists who attempt to 'deconstruct' the image world — that is, to lay bare its power in regulating our thoughts and desires — have developed a series of strategies, particularly in film, video, and photography..."

Cinderella, 1986, Switch Center, 2002, and Hiatus, 1999–2015, are projected large while select drawings and other seminal films are shown in the adjoining galleries and theater.

"More innovative uses of super-8 sound began to appear in the late Seventies. Ericka Beckman's idiosyncratic films—White Man Has Clean Hands (1977), We Imitate; We Break-Up (1978), The Broken Rule (1979)..."